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Introductory
Note to the Reader After more than three decades in
education, I continue discovering that teaching is not simply about improving
what we do, but sometimes about questioning what we have always done. My
participation in the ISTE+ASCD course Designing Online Learning
Experiences – U.S. Department of State has encouraged me to reconsider
something fundamental: who actually makes the decisions that shape learning
in my university courses? For years, I have carefully planned
communicative activities, assessments, and learning experiences intended to
engage my students. Yet I am beginning to recognize that even a well-designed
lesson can leave students with little opportunity to influence their own
learning. Understanding student agency has
therefore begun to change how I approach lesson planning. Rather than
deciding everything beforehand, I am learning to identify moments when
students can meaningfully choose their learning pathways, contribute their
experiences, and demonstrate achievement without compromising academic
expectations. This paper documents that evolving
understanding. It is not a declaration that I have mastered student agency,
but a reflection on how intentional instructional design can transform the
relationship between teachers and learners. Perhaps teaching becomes even more
meaningful when we stop planning everything for our students and begin
creating opportunities for them to shape their own learning. Jonathan
Acuña Solano |
Beyond Giving Choices: Building Student Agency Through Intentional Lesson Design
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Abstract Student
agency has become an increasingly important consideration in digital
education, yet translating its principles into everyday instructional
practice remains a challenge. This reflective paper examines how
participation in the ISTE+ASCD course Designing Online Learning
Experiences – U.S. Department of State has influenced the author's
understanding of student agency and transformed his approach to planning
university-level English language courses. Drawing on the four avenues of
agency—pace, path, time, and place—and three instructional structures—choice
boards, checklists, and playlists—the discussion explores how educators can
create meaningful opportunities for learner ownership without compromising
established learning outcomes. A practical redesign of a communicative lesson
on invention and innovation illustrates how choice boards can provide
alternative learning pathways while preserving linguistic objectives and
assessment expectations. The discussion is further informed by Mitra's
Student Voice Framework, Deci and Ryan's Self-Determination Theory, Schön's
reflective practice, and Wiggins and McTighe's backward design principles.
Particular attention is given to young adult university students and working
adults participating in online language education. The paper argues that
authentic student agency requires more than offering choices; it demands
intentional instructional decisions that enable learners to influence their
educational experiences while developing autonomy, responsibility, and
meaningful engagement. |
Keywords: Student
Agency, Learner Ownership, Instructional Design, Online Language Teaching,
Higher Education, Choice Boards, Student Voice, Reflective Practice. ISTE ASCD |
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Resumen La agencia del estudiante ha adquirido una
importancia creciente en la educación digital; sin embargo, trasladar sus
principios a la práctica docente cotidiana continúa siendo un desafío. Este
artículo reflexivo examina cómo la participación en el curso Designing
Online Learning Experiences – U.S. Department of State, de ISTE+ASCD, ha
influido en la comprensión de la agencia del estudiante por parte del autor y
ha transformado su manera de planificar cursos universitarios de inglés. A
partir de las cuatro dimensiones de la agencia —ritmo, trayectoria, tiempo y
lugar— y de tres estructuras didácticas —tableros de opciones, listas de
verificación y secuencias de aprendizaje—, se analiza cómo los docentes
pueden generar oportunidades auténticas de participación y apropiación del
aprendizaje sin comprometer los resultados esperados. El rediseño de una
actividad comunicativa sobre invención e innovación ejemplifica cómo los
tableros de opciones permiten diversificar las trayectorias de aprendizaje y
conservar los objetivos lingüísticos y los criterios de evaluación. El análisis
se fundamenta en el modelo de voz estudiantil de Mitra, la teoría de la
autodeterminación de Deci y Ryan, la práctica reflexiva de Schön y los
principios del diseño inverso de Wiggins y McTighe. Se presta especial
atención a estudiantes universitarios jóvenes y adultos profesionales que
aprenden inglés en entornos virtuales. Se concluye que la agencia auténtica
exige decisiones pedagógicas intencionales que permitan al estudiante influir
en su experiencia educativa y desarrollar autonomía, responsabilidad y
compromiso con su aprendizaje. |
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Resumo A agência do estudante tem adquirido importância
crescente na educação digital; entretanto, transformar seus princípios em
práticas pedagógicas cotidianas continua sendo um desafio. Este artigo
reflexivo examina como a participação no curso Designing Online Learning
Experiences – U.S. Department of State, da ISTE+ASCD, influenciou a
compreensão do autor sobre a agência do estudante e transformou sua maneira
de planejar cursos universitários de língua inglesa. Com base nas quatro
dimensões da agência — ritmo, percurso, tempo e lugar — e em três estruturas
pedagógicas — quadros de escolha, listas de verificação e sequências de
aprendizagem —, discute-se como os professores podem criar oportunidades
significativas de participação e autonomia sem comprometer os objetivos de
aprendizagem. A reformulação de uma atividade comunicativa sobre invenção e
inovação demonstra como os quadros de escolha podem oferecer diferentes
percursos de aprendizagem, preservando os objetivos linguísticos e os
critérios de avaliação. A discussão fundamenta-se no modelo de voz estudantil
de Mitra, na Teoria da Autodeterminação de Deci e Ryan, na prática reflexiva
de Schön e nos princípios do planejamento reverso de Wiggins e McTighe.
Destaca-se especialmente o contexto de jovens universitários e adultos
profissionais que estudam inglês em ambientes virtuais. O artigo argumenta
que a agência autêntica exige decisões pedagógicas intencionais que permitam
aos estudantes influenciar suas experiências educacionais, desenvolvendo
autonomia, responsabilidade e envolvimento significativo com a própria
aprendizagem. |
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“The practitioner allows himself to
experience surprise, puzzlement, or confusion in a situation which he finds
uncertain or unique.” — Donald A. Schön (1983), The Reflective
Practitioner: How Professionals Think in Action |
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“Student agency does not require changing the
destination. Instead, it requires designing meaningful opportunities for
students to choose how they arrive there.” — Jonathan Acuña Solano (2026) |
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Introduction
Throughout
my years as an online English language instructor and curriculum designer, I
have always believed that meaningful learning begins with thoughtful planning.
Every lesson, activity, and assessment should help students move toward clearly
defined learning outcomes while maintaining high levels of engagement. However,
participating in the ISTE+ASCD course Designing Online Learning Experiences
– U.S. Department of State has challenged me to reconsider one aspect of my
instructional design that I had rarely questioned before: How much
ownership do my students actually have over their learning?
Before
taking this course, I often associated student agency with differentiation. If
students could choose between two activities or decide which exercise to
complete first, I assumed I was already promoting learner autonomy. The course
helped me realize that these ideas, although related, are fundamentally
different. As I wrote in my reflective journal,
"Taking
the ISTE+ASCD course Designing Online Learning Experiences – Department of
State, I have now come to understand the true meaning of student agency and how
it differs from differentiation. Making this distinction opens more doors to
having students co-create assessments where they can better demonstrate what
they have learned in a course. Agency is not giving students more choices of my
own, but to allow them to find a way to make their own choices to show teachers
what they have learned" (Acuña Solano, 2026).
This
insight marked an important turning point in my professional thinking. Instead
of asking how I could offer students more choices, I began asking a more
meaningful question: Where can students genuinely influence their own
learning without compromising the intended learning outcomes?
For
someone who teaches college young adults and corporate working adults online,
this distinction is especially significant. My students are accustomed to
making important decisions every day in their professional and personal lives.
They manage projects, supervise employees, solve workplace challenges, and make
decisions that carry real consequences. Yet, once they enter a virtual
classroom, they often encounter learning environments where almost every
decision has already been made for them. The ISTE+ASCD course encouraged me to
reconsider this imbalance and to explore practical ways of designing learning
experiences that preserve academic rigor while giving students meaningful
ownership.
From
Understanding Agency to Designing It
The
first part of the course introduced the four avenues of student agency, pace,
path, time, and place, as practical dimensions where
students can experience ownership. Reflecting on my own courses helped me
recognize that digital environments naturally support some of these avenues.
For example, students in my online university courses can generally decide when
and where they complete asynchronous work, and they often have some flexibility
regarding the pace at which they progress before established deadlines.
However,
one avenue remained noticeably limited: path. Although students
could choose the order in which they completed certain platform activities,
they had very little influence over how they reached the learning
objectives. This realization reinforced one of the course's central ideas: "Knowing
where agency can live in a digital lesson is the first step. Knowing how to
build it in is the second." (ISTE+ASCD Learning Academy, 2026). This
sentence captures an important distinction. Identifying opportunities for
agency is valuable, but opportunities alone do not transform learning. They
must be supported through intentional instructional design.
The
course explains that student agency does not emerge because teachers simply
believe in learner-centered education. Instead, it develops because educators
intentionally create moments where students make authentic decisions that
influence their learning experience. This perspective aligns closely with
Wiggins and McTighe's (2005) principles of backward design. Effective
instruction begins by identifying the desired learning outcomes and acceptable
evidence of learning. Once these elements are clear, teachers can determine
where flexibility can be introduced without altering the destination. In other
words, the learning goal remains fixed, while students gain greater ownership
over the journey that leads them there.
From
the Four Avenues to the Three Structures
One of
the concepts I appreciated most in this module was that it moved beyond theory
and offered practical structures for implementing student agency. According to
the course,
"Understanding
the four avenues helps you see where students could have more ownership. But
opening an avenue without a clear structure to support it often creates
confusion rather than empowerment." (ISTE+ASCD Learning Academy,
2026)
This
statement resonated with me because it recognizes an important reality of
online teaching. Adult learners appreciate flexibility, but they also value
clarity. Simply telling students that they have choices is not enough if those
choices are poorly organized or disconnected from the intended learning
outcomes.
To address this challenge, the course introduces three practical instructional structures:
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· Choice
Boards |
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· Checklists |
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· Playlists |
Each
structure supports student agency differently. Choice boards primarily
strengthen the path avenue by allowing students to select among
different tasks that all address the same learning objective. Checklists
primarily support pace, allowing learners to determine the
sequence in which they complete required activities. Playlists integrate
both required and optional learning experiences, opening multiple avenues of
agency throughout longer instructional sequences.
What I
found particularly valuable is that these structures do not remove teacher
guidance. Instead, they organize student choice within carefully designed
parameters. As Toshalis and Nakkula (2024) argue, structured agency
consistently produces stronger educational outcomes than either excessive
teacher control or unlimited student freedom because learners make meaningful
decisions while working within a coherent instructional framework.
Choosing
the Right Structure for My Own Teaching
One of
the reflective activities in the course invited participants to examine a
lesson where students currently had little opportunity to make learning
decisions and redesign it using one of the three agency structures. As I
analyzed one of my own lesson plans, I immediately thought about Unit 12:
Invention or Innovation. This unit includes topics such as frugal
innovation, Maurice Ward and Starlite, a TED Talk by Navi Radjou, role
plays, innovation stories, memorandums, adverbials, and phrasal verbs. It is
one of my favorite units because students enjoy discussing real-world
innovation and connecting it to their own professional experiences. However,
viewing the lesson through the lens of student agency revealed something I had
never noticed before.
As I
reflected in my journal,
"Looking
at my planning for Unit 12: Invention or Innovation, through the student agency
lenses, I noticed that my students are almost always making linguistic choices—
which adverbial to use, how to argue, what opinion to defend— but they are not
making many learning decisions." (Acuña Solano, 2026)
This
distinction proved enlightening. Students were certainly thinking critically
and communicating meaningfully, but they were doing so within a learning
experience that had been almost entirely designed by me.
Redesigning
a Role Play Through Student Agency
The
role plays on frugal innovation illustrate this point clearly. Originally,
every pair of students received exactly the same learning experience.
- The same scenario.
- The same professional roles.
- The same discussion questions.
- The same language prompts.
- The same expected progression of the
conversation.
Although
students decided what they wanted to say, they had virtually no
influence over how they would engage with the learning objective.
The
instructional goals themselves were already strong and did not need to change.
Students still needed to:
- discuss innovation in professional
contexts;
- negotiate ideas collaboratively;
- justify opinions with supporting evidence;
and
- accurately incorporate adverbials into
spoken communication.
What
changed was not the objective, but the pathway students could
take to reach it.
After
considering the three instructional structures presented in the course, I
concluded that a Choice Board offered the best solution. Unlike a
checklist, which primarily supports self-management, or a playlist, which is
especially useful for longer asynchronous sequences, a choice board fits
naturally within my highly communicative, synchronous online classes. Instead
of assigning every pair the same simulation, students now select one of four
professional challenges, each requiring the same language outcomes while
encouraging different perspectives and forms of reasoning.
For
example, one pair may evaluate why an innovative product such as Google Glass
or Segway failed commercially. Another group may act as consultants
recommending examples of frugal innovation for a company with limited
resources. Others might design an original workplace innovation or debate
whether inventors should always patent their ideas using Maurice Ward's story
as inspiration. Although every option requires students to negotiate ideas,
justify opinions, and accurately use at least five adverbials, each pathway
allows learners to connect the lesson with their own professional interests and
experiences. This redesign illustrates what I now consider one of the most
valuable lessons from the ISTE+ASCD course: student agency does not require
changing the destination. Instead, it requires designing meaningful
opportunities for students to choose how they arrive there.
Student Voice and Shared Ownership of Learning
Redesigning
my Unit 12 lesson also led me to think more deeply about student voice. While
the ISTE+ASCD course focuses primarily on agency, my reflections naturally
connected with the work of Dana Mitra, whose Student Voice Framework
illustrates how students gradually move from simply expressing opinions to
becoming partners in educational improvement. Mitra (2004, 2024) describes this
progression through three interconnected levels: being heard, collaboration
with adults, and building capacity for leadership. Initially, I
interpreted student voice as collecting students' opinions through surveys or
end-of-course evaluations. Although these practices remain valuable, I now
recognize that they represent only the beginning of a broader process.
The
redesigned role-play activity demonstrates this progression. Students are no
longer limited to responding to a scenario selected entirely by the teacher.
Instead, they participate in choosing the professional context that best
matches their interests, experiences, or career aspirations. Their voices
influence the learning process before the activity even begins. This seemingly
small design decision changes the classroom dynamic considerably. Students are
not simply completing an assignment; they are participating in shaping how they
will achieve the learning objective.
Looking
ahead, I can also envision extending this idea beyond the lesson itself. At the
conclusion of the unit, students could evaluate which innovation challenge
contributed most to their learning and propose additional scenarios for future
classes. These suggestions could then become part of subsequent versions of the
course. In this way, students move beyond participating in learning activities
toward contributing to the continuous improvement of the curriculum itself. For
me, this is perhaps one of the most powerful ideas emerging from both the
ISTE+ASCD course and Mitra's work: agency is not about giving away
instructional responsibility. Rather, it is about inviting students to share
responsibility in meaningful and purposeful ways.
Why
Structured Agency Matters
Another
important lesson from the course is that meaningful agency requires structure. The
course materials emphasize that educators often understand the importance of
student ownership but struggle to translate that belief into practical lesson
design. As the module explains,
"The
gap between believing in student agency and actually building it into a lesson
is where most educators get stuck. Choice boards, checklists, and playlists are
not just organizational tools; they are design structures that make it possible
to open specific avenues of agency in a controlled, intentional way."
(ISTE+ASCD Learning Academy, 2026)
This
statement resonated with my own experience. Like many teachers, I have
occasionally worried that increasing student choice might reduce academic rigor
or make classroom management more complicated. The course helped me understand
that this concern often arises because agency is mistakenly associated with
unlimited freedom.
Instead,
structured agency provides carefully designed boundaries within which students
make authentic decisions. This perspective is consistent with Toshalis and
Nakkula (2024), who argue that students benefit most when they exercise
meaningful ownership within a clearly defined framework. Too much teacher
control limits autonomy, while unlimited choice can overwhelm learners and
reduce instructional coherence. The challenge for educators is to design
experiences that balance flexibility with purposeful guidance.
Reflecting on my own lesson redesign, I realize that the Choice Board accomplishes precisely this balance. Students do not choose whether to meet the learning outcomes. They choose how they will demonstrate them. Every pathway requires the same linguistic objectives, similar cognitive demands, and identical assessment criteria. The learning goal remains constant. The learning journey becomes personalized.Student Agency and Adult Online Learners
Teaching
college young adults and corporate working adults has also influenced the way I
interpret student agency. Much of the literature on student voice originates in
elementary and secondary education. Although the underlying principles
certainly apply across educational contexts, adult learners bring
characteristics that deserve special consideration.
My
students enter the virtual classroom with extensive professional and personal
experience. Many manage projects, coordinate teams, negotiate with clients,
analyze data, or make important decisions as part of their daily work. Consequently,
learning environments that restrict every instructional decision may
unintentionally overlook the expertise students already possess. Allowing
learners to exercise meaningful agency acknowledges these experiences while
maintaining academic expectations.
This
perspective also aligns with Self-Determination Theory developed by Deci and
Ryan (2000). Their research identifies autonomy, competence, and relatedness as
three essential psychological needs that support intrinsic motivation. Student
agency directly addresses autonomy by allowing learners to make authentic
decisions. Competence develops as students demonstrate learning through
meaningful tasks connected to their strengths and professional experiences.
Relatedness
is strengthened when students collaborate, negotiate ideas, and learn from one
another rather than relying exclusively on teacher-directed instruction. Taken
together, these principles suggest that agency contributes to much more than
engagement. It encourages learners to become increasingly self-directed,
reflective, and responsible for their own learning. For adult learners studying
online, these qualities are particularly valuable because independent learning
plays such an important role in their academic success.
Reflection
as a Tool for Continuous Improvement
One
unexpected outcome of this course has been recognizing the close relationship
between student agency and reflective practice. Throughout my career, I have
considered reflection an essential component of effective teaching. Donald
Schön (1983) argues that professionals improve their practice by systematically
examining their decisions and using those reflections to guide future action.
The
ISTE+ASCD course encouraged me to apply this same principle to instructional
design. Rather than simply evaluating whether a lesson was successful, I now
find myself asking additional questions:
- At what moment during this lesson did
students make a meaningful learning decision?
- Which avenue of agency was open?
- Which avenue remained closed?
- What small design change could increase
student ownership without changing the learning objective?
These
questions represent a subtle but important shift in my professional thinking. Previously,
I often reflected on whether students appeared engaged. Now, I also reflect on
whether they experienced genuine ownership. This distinction has transformed
the way I analyze my lessons. Engagement remains important, but I now recognize
that meaningful engagement often grows from opportunities to participate
actively in shaping one's own learning.
Implications
for My Teaching and Curriculum Design
As
both an online instructor and a curriculum designer, I believe the ideas
presented in this course extend beyond individual lesson planning. They
encourage educators to reconsider the purpose of instructional design itself. Rather
than asking,
"How
can I make this lesson more engaging?"
I now
ask,
"Where
can students meaningfully influence their own learning while still achieving
the intended learning outcomes?"
Although
the wording appears similar, the two questions lead to different design
decisions. The first focuses primarily on increasing motivation. The second
focuses on distributing ownership. This distinction has already influenced the
way I think about assessment, collaborative learning, project design, and
classroom interaction. More importantly, it has reinforced my belief that
teachers remain essential, not because they make every decision, but because
they intentionally design environments where students can make meaningful ones.
Conclusion
Completing
the ISTE+ASCD course Designing Online Learning Experiences has prompted
me to rethink one of the most fundamental questions in education: Who owns
the learning? My reflections have shown that authentic student agency is
not synonymous with differentiation, unlimited choice, or reduced instructional
structure. Instead, it emerges when teachers intentionally create opportunities
for students to exercise meaningful ownership while maintaining clear learning
goals.
Redesigning
my Unit 12 innovation lesson illustrated this principle in a practical way. By
replacing a single teacher-directed role-play with a Choice Board, I preserved
every linguistic objective while allowing students to select professional
contexts that reflected their interests and experiences. A relatively small
design change transformed students from participants following identical
instructions into learners making authentic educational decisions. This
experience has also reminded me that agency is not a destination but a
continuous design process. Every lesson offers opportunities to ask where
ownership can be expanded, how student voice can be strengthened, and which
instructional structures best support meaningful learning.
Ultimately,
I now see my role not simply as someone who delivers carefully designed
lessons, but as someone who intentionally designs opportunities for students to
become increasingly reflective, autonomous, and responsible learners. In my
context of teaching college young adults and corporate working adults online,
that may be one of the most meaningful contributions I can make—not only to
their language development but also to their lifelong capacity to learn.
San
José, Costa Rica
Sunday,
October 25, 2026
Blog
Post #595
📚 References
Acuña
Solano, J. (2026). Reflective journal: Supporting student agency
through intentional design [Unpublished course reflection]. ISTE+ASCD
Learning Academy, Designing Online Learning Experiences – U.S. Department of
State course.
Deci,
E. L., & Ryan, R. M. (2000). The "what"
and "why" of goal pursuits: Human needs and the self-determination of
behavior.
Psychological Inquiry, 11(4), 227–268. https://doi.org/10.1207/S15327965PLI1104_01
ISTE+ASCD Learning Academy. (2026). Designing
Online Learning Experiences – U.S. Department of State [Professional
learning course].
Mitra, D. L. (2004). The significance of
students: Can increasing "student voice" in schools lead to gains in
youth development? Teachers College Record, 106(4), 651–688. https://doi.org/10.1111/j.1467-9620.2004.00354.x
Schön, D. A. (1983). The reflective practitioner:
How professionals think in action. Basic Books.
Toshalis, E., & Nakkula, M. J. (2024). Student
agency and structured ownership in digital learning. In ISTE+ASCD Learning
Academy, Designing Online Learning Experiences course materials.
Wiggins, G., & McTighe, J. (2005). Understanding
by design (Expanded 2nd ed.). Association for Supervision and Curriculum
Development.
Estruturas Didáticas e Dimensões da Agência do Estudante
Click to enlarge the infographics: Deiseñando la agencia estudiantil
Continue the Conversation: Watch the Explainer Video
Thank you for taking the time to read this article. If you would like to revisit its central ideas from a different perspective, I invite you to watch the accompanying explainer video.
Designed to complement—not replace—the essay, the video highlights its main arguments, provides additional context, and offers a concise visual journey through the themes explored in La Buenaventura. I hope it helps you see Alarcón's story from a fresh perspective.
If you enjoy the video, feel free to explore my YouTube channel, where I share more explainers and reflections on literature, English language teaching, linguistics, mythology, culture, education, and related topics.
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